American International Pictures can be credited with creating a good few films that are today considered genre classics, as well as some films that are extraordinary solely for the fact that, given the circumstances of their production, they were even made at all. As far as AIP’s ventures into the Blaxploitation arena go, 1973’s
Black Caesar definitely falls within the former category, while its sequel, that same year’s
Hell Up In Harlem, serves as a perfect example of that last mentioned type of film. Read my
full review, just posted over at
Teleport City.
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