If you wanted to, it seems like you could draw up a sort of family tree of the films Indian superstar Amitabh Bachchan made during his late seventies to mid eighties prime, tracing each of those movies' origins along three very distinct lines, each leading back to a particular career-defining blockbuster that provided the template for much of what was to come. Of course, while Bachchan would star in films that were virtual remakes of Deewaar, Sholay and Don over the course of his career, the lines leading back to those three classics would not always be perfectly straight. For one would also have to consider films like 1978's Be-Sharam, which draw upon elements of all three...
Read the full review at The Lucha Diaries
“Fairies in China”
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At Snow Pavilion, Xueting Ni writes about how Chinese Xian became fairies
in European thought. “The modern idea of the fairy, buzzing round the
bottom of y...
18 hours ago
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