It occurred to me that it was kind of stupid of me (stupid! stupid! stupid!) to take the trouble to make all of those lovely screen caps from Chor Yuen's Murder Plot only to render them postage-stamp size when I posted them with my review of the film on Teleport City. To mitigate that I'm posting a few of my favorite images below in a somewhat larger size. These serve nicely to provide examples of Chor's distinctive use of color (which Liz over at And You Call Yourself A Scientist! noted as being very Bava-esque) and the surreal artificiality of his sets.
“Revisiting In The Mood For Love at 25”
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At KPBS, friend of the Gutter Beth Accomando talks about Wong Kar-Wai’s In
The Mood For Love (Hong Kong, 2000) on its 25th anniversary. “In the Mood
for Lo...
23 hours ago
1 comment:
Yes, that's much better. Many thanks! Those are gorgeous shots.
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