Die, Danger, Die, Die, Kill!
Making Peace With World Pop Cinema
Monday, April 30, 2012
Crocodile Man (Cambodia, 1972)
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Last week I had the opportunity to see Golden Slumbers , Davy Chou’s powerful documentary about the brief golden age of Cambodian popular...
16 comments:
Thursday, April 26, 2012
Friday's best pop song ever
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Monday, April 23, 2012
Mictlan (Mexico, 2002)
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People have on occasion asked me whether it’s harder to write about good films or bad ones, and the answer is neither. Both types of film...
3 comments:
Thursday, April 19, 2012
Friday's best pop song ever
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Drive-In Mob Tonight!: Dr. Goldfoot
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Tonight’s Drive-In Mob shines like gold and smells like feet, as we delve into the two 1960s spy spoofs starring mob favorite Vincent Price...
Tuesday, April 17, 2012
Switched on Lollywood
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Over at Teleporty City I’ve just posted a review of The Sound of Wonder! , a compilation of Pakistani film music from the 1970s with an emp...
Monday, April 16, 2012
Cango Korkusuz Adam (Turkey, 1967)
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[It’s funny how we never see Kilink on 4DK without Tars Tarkas lurking around somewhere in the background. It’s enough to make one think...
1 comment:
Friday, April 13, 2012
I have a tumblr (and other news from 2009)
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I would be the last person to suggest that making screen caps from movies was in itself some form of art. Yet, at the same time, I do put a...
6 comments:
Thursday, April 12, 2012
Friday's best pop song ever
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Drive-In Mob Tonight!: Blacula and Dr. Black and Mr. Hyde
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In a colorblind society, Blacula and Dr. Black would simply be citizens who just so happened to be monsters. In this society, however, their...
3 comments:
Sunday, April 8, 2012
Essabet El Nissae (Lebanon/Turkey, 1968)
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I freely admit to jumping on the Frank Agrama bandwagon, spurred on by posts from such reliable sources as the Mondo Macabro blog and lo...
7 comments:
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